Puigchild 670 Series Of Free
PuigChild 670 Stereo Two channel compressor, with two separate sets of detectors and compression paths. Colorful CompressorsThe PuigChild has two component processors: PuigChild User Manual. Featured in part one: the PuigChild 670. PuigChild 660 is a compression plug-in modeled after the classic Fairchild 660.It’s a part of the Jack Joseph Puig Analog Legends bundle, which consists of other plug-ins like this one that model themselves after classic analog equipment.In a brand new series of free Waves video tutorials, Eli Krantzberg will look at four of his favorite Waves compressor plugins and show you real-world examples of them in action. We’ve collaborated with2 user reviews on Waves PuigChild 660. Waves PuigChild 660 & 670 Fairchild Compressor Plugin Overview: Throughout the vinyl era, the original Fairchild 660 and 670 compressors were ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound.
This plugin also operates within the 64bit versions of Cubase, Nuendo, Bitwig Studio, Reaper, Tracktion, Renoise, FL Studio, Sonar, Mixcraft and Samplitude using their inbuilt bridging.Logic Pro’s built-in compressor is fantastic. This plugin is 32bit but can be run on 64bit systems using jBridge. VST compatible DAW or VST hosting software. Use the Input controls to set the amount of signal running into the compressor.The Jack Joseph Puig Collection has: the PuigChild, plug-ins based on the Fairchild 670 and 660 limiters, and the PuigTecs, the Pultec EQP-1A and MEQ-5.PC running a Windows operating system. The PuigChild offers a wide variety of musical colors using just a few simple controls. Chapter 2 Quickstart Guide.
And so there is the answer. They contrast, compliment, and offset, the other pieces in her wardrobe in interesting and unusual ways./free-vst-cello.html. My wife, on the other hand, can create an almost infinite set of variations in her ensembles with her collection of shoes in different colors, shapes, textures, and patterns. There’s no question that I kind find a tasteful accompaniment to every single item in my wardrobe with my modest but versatile shoe collection. Period.So, why would you want to experiment and invest in third-party compressor plug-ins when Logic Pro X’s is so versatile? ShoesFor the same reason my wife enjoys having thirty-four pairs of shoes, while I am perfectly content with four. With its well thought out, detailed, and nuanced controls it can handle just about any situation.
Puigchild 670 How To Get The
It works great either as an insert plug-in or is a send/return setup for parallel compression. The time constants on this model give it unique attack and release characteristics that make it useful for everything from very subtle “glue” like compression, to heavy pumping and breathing that can bring out the room ambiance in even the driest sounds. PuigChild 670The PuigChild 670 is the Waves version of the classic Fairchild 670. In this series of videos, I’ll look at four of my favorite of the Waves emulations and show you real world examples of them in action. Not only do they model many classic hardware compressors extremely well they also make them exceptionally easy to learn and to use musically. Not only does it cost money to have a choice of additional plug-ins to select from, it also involves an investment in time to learn when to use them and how to get the most from them.
CLA 2AFinally, the CLA 2A is modeled on an electro-luminescent optical attenuator called “T4” for gain reduction. Blending in a subtle amount via its built-in mix knob allows for a unique punch, or smack, to be added to the initial attack for a very percussive, almost rhythmic, style of compression. DBX 160The DBX 160 has a unique envelope following attack and release algorithm that tracks transients in just the right way to get a super crisp and sharp sounding attack on percussive sounds. Combined with its feed forward- and feedback style algorithms, it produces a broad range of musical sounding compression styles.
Tasked by the music legend Les Paul, Rein Narma, an Estonian engineer, built the limiter/compressor in the late 1950's. This review focuses only on the Puigchild compressor.The Puigchild 660/670 is a modeled software emulation of the much coveted vintage Fairchild 660/670 compressor. Also included in the collection are the MEQ5 and EQ1-PA equalisers both of these are modelled on vintage Pultec units. Hear how it can produce everything from subtle warm sonic “glue”, to sharp pumping and breathing transients that bring out the space and room sound in the underlying track.','resolvedBy':'manual','title':','url':'}'>The Waves PuigChild Compressor, modeled on a vintage Fairchild 670 housed in Jack Joseph Puig’s own studio, is currently on sale for $129 (regular $349).For more information, videos, user reviews or a demo, visit Puigchild Compressor at the Waves website.This review is for the Puigchild 660/670 compressor plug-in, which comes as a part of the Waves JJP bundle.
I wouldn't choose to use these myself for anything other than a ball-park approximation.Installing the plug-ins was simple, as I already have an Ilok, though my feelings on this kludge and the Waves Update Plan have always been antipathetic, putting it mildly. These are interesting, if only for curiosity value, because one can see how JJP might set up his hardware for different purposes. His other contribution to the bundle includes a series of presets designed by him. Other well established engineers to have given their name to Waves' bundles are Eddie Kramer, Chris Lord-Alge and Tony Maserati.According to the literature and the Waves website, this particular emulation is modelled on JJP's own unit. This is one of a series of 'celebrity' engineer endorsed products. With twenty thermionic valves and over a dozen transformers, the Fairchild 660/670 was a true (6u, 65lb) leviathan.It's software incarnation, the Puigchild 660/670, is part of the JJP (Jack Joseph Puig) Collection.
However, the quality of the Puigchild emulation is in another league, in my opinion.The Puigchild is extremely straightforward visually and it's layout is a faithful recreation of the original, apart from the inclusion of a switch that controls the mount of mains hum. This was in stark contrast to the Waves SSL G-channel plug-in (this includes eq, compression, expansion and filtering) which will run 60+ instances without skipping a beat. By the time I had 20 instances running through individual stereo audio tracks, my trusty old Imac was groaning a bit. Whilst my humble Imac will never send astronauts into space, it became quickly apparent that I wouldn't be able to use the Puigchild on zillions of tracks. Immediately on firing up the 670 through my DAW I noticed a hike on my C.P.U load. My computer is a 2.16 ghz Apple Imac, with 2 gigabytes of ram, running Logic Pro 9 through an RME Fireface 800 sound card.The Puigchild comes in mono (660) and stereo (670).
The other controls are for output and a time constant dial, switchable through six attack and release contours. The compressor is unusual compared to some modern equivalents, in that it has no dedicated ratio setting. I liked the almost nerdy attention to detail by including hum, but I was pleased to have the option to switch it off. With this feature enabled on several tracks in my project, the aggregate noise out of my master outputs became very noticeable.
It was very easy for bass frequencies to distort on it's fastest attack setting with moderately high input gain, as the compressor crunched against the slower bass cycles. The original Fairchild was known for it's ultra-fast attack times, and the same applies here. Keeping check on the output control was essential in kerbing the temptation to push more dbs through. The fact that more input gain seemed to equate to more compression caught me out, as I fell into the familiar trap of more volume leading to a 'better' sound.
If it were a little more economical to run, then I would use it on everything! I say this because it deals with the signal in a magical way. It doesn't fulfill the role of an 'every track' compressor, like the Waves SSL G-channel does, and this is because of it's CPU footprint.
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